Roy (SSB4)

For information on the playable Koopaling, please see Bowser Jr. (SSB4).

Roy in Super Smash Bros. 4
Universe	Fire Emblem
Other playable appearance	in Melee
Availability	Downloadable
Final Smash	Critical Hit
Tier	F (32)

“	Roy Seals the Deal!	”
—Introduction tagline

Roy (ロイ, Roy) is a playable character in Super Smash Bros. 4 as the third downloadable character and final veteran character. First leaked through data mining of the 1.0.6 update, Roy was revealed and released alongside Lucas and Ryu on June 14th, 2015.

Roy is once again voiced by Jun Fukuyama, who reprises his role from Melee, mimicking some of his voice clips from Melee as well as providing some new ones.

Attributes

Roy's moveset is mostly based off of Marth, but with a number of differences, the most notable of which is his inverse of Marth's tipper mechanic: his Sword of Seals deals more damage and knockback near the hilt and less at its tip compared to Marth's Falchion. Roy's attributes are also very different. He has better mobility overall, with an above average walking speed, the 10th fastest dashing speed, the 4th fastest air speed, and the 5th fastest falling speed, along with average weight. In addition, many of his attack animations were changed from Melee and now properly align with their hitboxes. These changes make him a semi-clone of Marth rather than a true clone.

Roy's attributes give him a different playstyle from Marth, as well as bringing him an array of advantages. Roy's attacks generally have quick start-up, and his high speed allows him to get in close to his opponent. His neutral aerial is perhaps his most versatile move. Its low start-up, lasting hitbox, and low landing lag make it an effective approach option, as well as a quick way to clear space, and it can start combos. His down tilt, with its quick start-up, low end-lag, and deceptive range, is useful for poking at the opponent and pressuring shields. Once Roy finds an opening, he has several ways in which to rack up damage. His jab is quick, and can easily lead into other moves, including his throws. His down and forward throws send opponents at favorable angles, and can combo into his jab, dash attack, forward tilt, neutral aerial, and Double-Edge Dance. Roy's neutral aerial is also a great combo tool, complementing his high speed by comboing into itself and his other aerials. His reversed sweetspot also helps with this. Since it is much larger than Marth's sweetspot, he on average gets much more damage from his combos than Marth, who requires careful spacing for the same effect. As such, Roy has a much easier time closing in on the opponent and racking up damage compared to Marth.

Roy also boasts excellent KO power, with almost all of his sweetspotted attacks capable of KOing below 150%. However, he does not suffer from the penalties other characters with powerful movesets have, namely the generally slow start-up of their moves. His attacks are also easier to sweetspot than Marth's, and so Roy does not require precise spacing to reliably land a KO blow. Onstage, his main KOing options are his forward tilt, forward smash, up tilt and Blazer, due to their fast start-up and high power. Blazer is additionally an excellent out of shield option as it gives him access to super armor on start-up. His disjointed hitboxes grant him an effective offstage game as well. His forward and back aerials are quick, and cover wide arcs, and his down aerial is a moderately fast and powerful meteor smash. Flare Blade, with its charging ability, incredible power, huge hitbox, and deceptively low cool-down, is deadly against opponents who try to sweetspot the ledge. Roy's average weight and fast falling speed give him strong endurance, and he can make great use of rage, improving the knockback of his already powerful moves.

However, Roy is held back by a number of flaws. Most notably, while his reverse-tipper mechanic is one of his greatest strengths, it forces him to fight extremely close to his opponent, and his shorter range compared to Marth prevents him from spacing effectively. A whiffed move on Roy's part leaves him heavily open to punishment. Most of his moves, despite their quick start-up, have high ending lag, exacerbating the issue brought up by his relatively short range. He also suffers from a predictable approach. Though he has high speed, he has no quick options with which to close in and pressure the opponent outside of his neutral aerial, and this is made worse by his lack of a projectile. While his combo game is much better than Marth's, it has its flaws. Roy has few reliable combos past mid-percents due to his ending lag and his down throw having sub-par hitstun. Past low percents, enemies can easily tech or DI away from his forward throw as well. This forces him to rely on reads for combos at higher percents, especially on floaty characters, and can sometimes give him trouble KOing despite his fearsome power, as outside the predictable first hit of his neutral air, he has no guaranteed set-ups into his KO moves.

Roy's most glaring flaw is his recovery. Though Blazer offers excellent protection, can be angled, and grants decent horizontal distance, it gives little vertical recovery. Combined with his high falling speed, this leaves him helpless against meteor smashes, and even a solid semi-spike can send him too far to recover. Additionally, players unaccustomed to his falling-speed will quickly find that any misused aerial off-stage will send him too far down to recover. Roy's high falling speed leads to another problem: he is very susceptible to combos. None of his moves are generally reliable enough to break combos. Many characters can thus rack up large amounts of damage and easily force him offstage, where he could potentially lose his stock.

Overall, Roy has as many strengths as he has flaws. He boasts excellent speed and power, with a decent combo and edgeguarding game, but suffers from his own vulnerability to combos, poor recovery, predictable approach, and ironically short range for a swordsman, making him a glass cannon. Despite initially being viewed as a threat, he has failed to gain significant tournament representation, as most of the professionals who play him use him only as a secondary, and thus he lacks noteworthy results.

Changes from Melee

Roy has been notably buffed in his transition from Melee to SSB4. His mobility has been greatly improved, with a faster dashing speed and one of the fastest air speeds in the game. His moves deal more damage, and his sweetspotted attacks are considerably more powerful, giving him many more KOing options, thus alleviating his main weakness from Melee. His attack speed is overall faster, with his aerials in particular having significantly reduced ending lag. His improved air game benefits his combo ability. The addition of rage, along with his heavier weight, boosts his KO power even further.

However, Roy has also received significant nerfs. Despite having a larger hurtbox, his attacks have much shorter range and hitbox durations. Roy is adversely affected by gameplay changes. The lack of wavedashing and L-cancelling worsens his approach, along with the weakening of dash dancing. The loss of these techniques only compounds his decreased range. Roy's already poor recovery has been both buffed and nerfed: his air speed is higher and his falling speed is slower, and Blazer gives more horizontal distance, but it also covers less vertical distance, and Double-Edge Dance can no longer be used to slow his falling speed. With the removal of meteor cancelling and the improved recoveries of the rest of the cast, Roy is arguably easier to edge-guard than in Melee.

Though Roy has been buffed overall and is now a significantly more effective character than he was in Melee, his standing relative to the cast is debatable, since most veterans were buffed to varying degrees.

Aesthetics

• Roy's design is a combination of his appearance as a Master Lord in Fire Emblem: The Binding Blade and his appearance as an Einherjar in Fire Emblem: Awakening. His eyes are also smaller and less anime-esque.
• Roy has completely unique idle stances, as opposed to having variants of Marth's.
• Roy has the same stance as Marth when holding a light item.
• Roy has an on-screen appearance.
• Roy's walking and jumping animations have been changed.
• In a similar vein to Marth's Falchion, Roy's Sword of Seals' trail indicates the sweetspot with a white arc. In Roy's case, it is near the Sword of Seals' hilt.
• Most of Roy's sword swings aesthetically appear "heavier", as he now swings the Sword of Seals in a reverse grip or with both hands. As a result, Roy's Sword of Seals behaves like a heavier broadsword compared to Marth and Lucina's "lighter" Falchion and Parallel Falchion, which they swing with less effort.
• Roy now has a sheath, but it is only visible in-game during his Final Smash and at the Results screen.

Attributes

• Due to the aforementioned alterations to his sword swings, many of Roy's attacks have altered hitbox placements compared to Marth's and decreased hitbox sizes.
• Roy is heavier (85 → 95), making him a middleweight instead of a lightweight. This also makes him heavier than Marth. As such, his heavier weight improves his endurance but leaves him more vulnerable to combos.
• Roy dashes significantly faster (1.61 → 1.95), surpassing Marth and giving him the 10th fastest dashing speed in the game.
• Roy walks slightly slower (1.2 → 1.15).
• Roy's air speed is much faster (0.9 → 1.24), now being the 4th fastest air speed in the game.
• Roy falls slower (2.4 → 1.8), though he still has the 5th fastest falling speed in the game. Despite his slower falling speed, his aerials are still incapable of auto-cancelling in a short hop.
• Roy now stands at Marth's height, which makes his hurtbox bigger. Despite this, he still has less range than Marth due to altered hitbox placements.
• The loss of wavedashing and L-cancelling and the ineffectiveness of dash-dancing have crippled Roy's neutral and approach games, especially since he was heavily reliant on such techniques in Melee.
• The removal of chain-grabbing harms Roy's damaging racking ability; at the same time, due to his high falling speed, he is no longer extremely susceptible to them, improving his endurance.

Ground attacks

• Neutral attack is now a reverse gripped upward lifting slice.
• Neutral attack deals more damage (4%/5%/6% → 4%/7%/7%), has decreased ending lag (IASA frame 26 → 23) and launches opponents at 62° when sweetspotted, which gives it improved combo ability.
• Neutral attack has increased start-up (frame 4 → 5), shorter range, and its hitbox duration is 1 frame shorter.
• Roy has a new forward tilt: it is now a reverse gripped inward reaping slash.
• Forward tilt is stronger (60 base/70 growth → 30 base/100 growth), and has decreased start-up (frame 9 → 8) and ending lag (IASA frame 40 → 32).
• Forward tilt's hitbox duration is 2 frames shorter.
• Roy has a new up tilt: he now swings his sword in a more overhead grip while bringing it to his side instead of behind him, the animation being more vertical than horizontal.
• Up tilt deals more damage (6%/8%/9%/10% → 7%/12%) making it much stronger despite its lower growth (116 → 103). It also has decreased start-up (frame 7 → 6) and ending lag (IASA frame 40 → 39).
• Up tilt hitbox duration is 1 frame shorter.
• Down tilt has faster start-up (frame 8 → 7) and now sends opponents at 30°, making it a much better set-up for edge-guarding and tech-chasing.
• Down tilt has increased ending lag (interruptibility frame 20 → 22), its hitbox duration is 1 frame shorter, and it deals less damage when sweetspotted (12% → 11%). Due to it now sending opponents at a horizontal trajectory, its combo ability has been almost completely removed.
• Roy has a new dash attack: he now performs an inward sweeping slash into a braking stop.
• Dash attack is stronger, with increased damage (12% → 13%) and knockback (70 base/55 growth → 65 base/82 growth).
• Dash attack has increased start-up (frame 12 → 13) and ending lag (IASA frame 40 → 50).
• Roy has a new forward smash: he now brings his sword behind himself and then slashes forward in a reaping two-handed slash from a turn. This animation is somewhat similar to Mii Swordfighter's.
• Forward smash has increased knockback growth (65 → 70).
• Forward smash has increased start-up (frame 12 → 14) and ending lag (IASA frame 54 → 55), shorter vertical reach, and its hitbox duration is 1 frame shorter. It now has a mediumspot in the center of the blade that deals less damage (20% → 17% ), which effectively makes the sweetspot smaller.
• Up smash's animation has slightly changed: Roy leans further back, and it now has fiery graphical effects and an explosion on the last hit. He shares this animation change with Marth.
• Up smash deals 0.44% more damage (16.56% → 17%) due to changes to stale-move negation. It also has decreased start-up (frame 15 → 12) and the spike hitbox now properly knocks opponents into the other hits.
• Up smash has increased ending lag (IASA frame 46 → 59), its last hit has decreased base knockback (73 → 70) and its hitbox lasts 1 frame shorter.
• Down smash's front hit deals less damage (21%/14% → 15%/10%). Both of its hits' duration last 1 frame shorter.
• Down smash's back hit deals more damage (16%/8% → 17%/11%). It also has decreased ending lag (IASA frame 72 → 63) and launches foes at a more horizontal trajectory.
• The knockback properties of Roy's down smash have been reversed, with the back hit being stronger.

Aerial attacks

• All aerials have decreased ending lag (IASA frame 50 → 46 (neutral), IASA frame 49 → 42 (up), IASA frame 64 → 52 (down), IASA frame 35 → 30 (forward), IASA frame 43 → 36 (back)) and landing lag (neutral: 20 → 13, forward: 20 → 15, back: 24 → 19, up: 18 → 16, down: 32 → 28).
• Back aerial autocancels earlier (frame 34 → 32).
• Neutral, forward, and up aerials autocancel later (neutral: frame 32 → 47, forward: frame 30 → 33, and up: frame 30 → 38), with forward aerial no longer being able to autocancel.
• Neutral aerial (4%, 8%/5% → 4%/6%), forward aerial (8.5%/5%, 8%/5% → 11%/7%), back aerial (9%/6% → 12%/9%), and down aerial (6%/9% → 10/15%) deal more damage).
• Neutral aerial now sends opponents at a higher trajectory (Sakurai angle → 50°) allowing for more combo potential. It's first and second hits come out earlier (frame 7-8 → frame 6-7 (hit 1), frame 17-20 → frame 15-21 (hit 2)).
• Forward aerial's animation has slightly changed: Roy's legs are now positioned differently while he swings his sword while leaning forward with his right side more exposed.
• Forward aerial (frame 5 → 10) and down aerial (frame 7 → 16) are slower.
• Up aerial's hitbox lasts 2 frames longer (5 frames → 7 frames) and it also deals more knockback, making it a better juggling option.
• Roy has a new down aerial: a two-handed slash below himself similar to Ike's. Its new animation gives it longer vertical reach and makes it easier to land the sweetspot, and its sourspot is able to KO grounded opponents at around 160%.
• Down aerial has decreased diagonal reach and shorter hitbox duration (frames 7-10 → 16-17).

Throws/other attacks

• All of Roy's grabs have significantly less range.
• Pummel and down throw deal 1% less damage (3% → 2% (pummel), 6% → 5% (down throw)).
• Pummel is faster.
• Roy's dash grab comes out 2 frames earlier (frame 10 → 8).
• Down throw now sends opponents directly above Roy, making it much better for follow-ups.
• Up throw deals 1% more damage (5% → 6%).
• Front and back floor attacks deal 1% more damage (6% → 7%).

Special moves

• Flare Blade has much less ending lag, with Roy now being able to act out of it almost immediately. It can also be charged up to a maximum of 48% without causing recoil damage (41% → 48%).
• Flare Blade has slightly increased start-up, a smaller hitbox, and takes slightly more time to fully charge. The attack now has a sourspot at the edges of the attack that deals decreased damage (50% → 35%) and significantly decreased knockback scaling (83 → 70).
• Flare Blade has a different sound effect when charging; when fully charged, the sound vanishes before the move's explosion. All stages of the attack now unleash a minor explosion, with most of the higher stages unleashing the original large explosions from Melee. Its fiery effects are also more intense.
• Double-Edge Dance requires less technical precision. Aside from the first and fourth downward hits, every other hit has decreased start-up.
• Each hit of Double-Edge Dance possesses reduced vertical reach, increased cooldown, and deals less damage and knockback. The first hit of Double-Edge Dance has increased start-up (frame 6→7) and no longer slows Roy's falling speed, harming recovery. Double-Edge Dance now has Transcendent priority meaning it can no longer cancel non-transcendent projectiles. Lastly, Double-Edge Dance's third upwards input no longer meteor smashes.
• The variants of Double-Edge Dance's third hit can no longer KO, but can easily combo into the fourth hit.
• Double-Edge Dance now uses Marth's animations from Brawl.
• Double-Edge Dance's third downwards input no longer has multiple hits and sends foes at a lower trajectorymakingng it easier to combo into the fourth hit.
• Blazer's last hit is much stronger, now being able to KO at high percents as well as having lasting hitboxes near its peak. It also has intangible frames on start-up if used from the ground. It now grants much more horizontal momentum near its peak, and can be tilted left or right before start-up to cover a notable amount of horizontal range.
• Blazer deals 4% less damage (20% → 16%) and travels less vertical distance.
• Blazer's first hit has much lower set knockback. This allows every hit to connect even better than in Melee at the loss of its ability to one-hit KO the lightest characters.
• Roy now performs Blazer while wielding the Sword of Seals in a reverse grip. Roy also has a new helpless animation upon using it.
• Counter has seven more counter frames. It also has increased knockback and can now KO off of countered smash attacks starting under 40%. The move's horizontal range is also longer.
• Counter's damage multiplier has been decreased (1.5x → 1.35x).
• Counter's animations have been changed: Roy now holds his hand out for the entirety of the move, along with pointing his sword downward instead of upward. His counterattack animation is now a low-angled, one-handed outward slash.
• Roy has a Final Smash, Critical Hit. Unlike Marth's and Lucina's, Roy's is stationary rather than propelling him at high speed in a straightforward line.

Update history

It is unclear whether Roy has been buffed or nerfed since update 1.1.0. Blazer was given additional hitboxes, making the move easier to land, but the damage reduction on the first and last hits slightly weakens its KO power. In addition, the changes to shield mechanics in 1.1.0 and 1.1.1 have made his sweetspotted attacks much safer at the cost of his sourspotted attacks being less safe, to the point where his semi-clone, Lucina, has overall safer attacks than him. However, even though he benefits less than Lucina, he benefits more than Marth due to his sweetspot hitboxes being easier to land. Ultimately, Roy's changes are not significant enough to affect his prowess compared to the rest of the cast.

1.1.0

• Blazer has additional hitboxes.
• Blazer's first and last hits deal 1% less damage.

• Roy performs his down taunt after a player chooses a path in Classic Mode instead of his fist pump idle pose.

Moveset

		Name	Damage	Description
Neutral attack			7.5% (sweetspot), ≈4.65% (sourspot)	Slashes his sword upwards in a reverse grip, ending at shoulder height. Easily combos into itself, grab, and forward tilt at low percentages, and his forward and up aerials at higher percentages. A great spacing and combo tool and one of Roy's most useful attacks.
Forward tilt			12.5% (sweetspot), 9% (near), 8% (far)	Swings his sword downwards in a reverse grip while stepping forwards, stopping the end motion with his left-hand. Hits very hard for a tilt when sweetspotted, usually KOing around 120% from mid-stage.
Up tilt			12% (sweetspot), 7% (sourspot)	Does a wide-arced slash above his head to the left in a reverse grip. Very strong along with his forward tilt, usually KOing at around 110% sweetspotted. However, it has rather low horizontal range and some ending lag.
Down tilt			11% (sweetspot), 6.5% (sourspot)	Crouches and briskly thrusts his sword at the enemy's feet. Much weaker than Roy's other tilts, but it has the least ending lag and is good for tech chasing and edge-guarding.
Dash attack			13% (sweetspot), 9% (sourspot)	Leaps forward briefly before dealing a low-angle horizontal slash to the left. Has good KO potential when sweetspotted at around 130%, however it has moderate start-up and high ending lag, making it very unsafe on shield.
Forward smash			20% (close), 17% (mid), 12% (far)	Leans forward and does a two-handed crescent slash downwards after spinning around. It is one of the strongest forward smashes in the game if sweetspotted at the hilt of his sword, and has become somewhat infamous for KOing at percents as low as 40% with rage. It additionally has a decently large sweetspot, very long disjoint as Roy leans forward while performing it, and hits on frame 14-15, which is rather fast for a forward smash of its power. However, it has high ending lag and its hitbox does not last long, leaving him very vulnerable to attacks if the swing misses.
Up smash		Flame Sword	1% (hit 1), 2% (hits 2-4), 10% (hit 5)	Thrusts his sword skyward as its tip ignites in flames, with an explosion on the final hit. Powerful enough to KO middleweights around 100% while uncharged. Good for guarding opponents in the air, as Roy's arm gains invincibility during the attack. If the initial rising stab connects, the attack's multiple hits are much slower than if the opponent is only caught in the explosion. If it hits someone that is not on the ground (with all hits), it does additional damage and knockback. High end lag, like his other smashes.
Down smash			15% (front, sweetspot), 17% (back, sweetspot) 10% (front, sourspot), 11% (back, sourspot)	Briskly sweeps his sword in front and then behind him. Weaker than his other smash attacks, but it comes out the quickest, and is useful for punishing rolls. Can KO uncharged in the 120% range if sweetspotted with the front hit and around 100% sweetspotted with the back hit. However, while it has very quick start up, it has the longest end lag of all his smashes making it extremely punishable when whiffed.
Neutral aerial			6%/4% (first hit, sweetspot/sourspot), 8.5%/5% (second hit, sweetspot/sourspot)	Quickly swipes to the left with the back of the blade, then swipes again while spinning. The second hit is capable of attacking behind him. A useful spacing and combo option due to its quick start-up and low landing lag.
Forward aerial			11%/7% (sweetspot/sourspot)	Swings his sword one-handedly in a downwards slash. If sweetspotted, this move deals decent knockback which can KO opponents early near the edge. Good for air-to-air combat because of its low ending lag, but unsafe to spam in neutral as it has moderately high landing lag (15 frames). However, it is possible to jump out of one in a short hop.
Back aerial			12%/9% (sweetspot/sourspot)	Spins towards the left, using the motion to slash upwards with a one-handed underhand swing. Good KO potential when sweetspotted, and can get early KOs when used off-stage. Covers good vertical and horizontal range. It has the interesting property of turning Roy around when used. Moderately high landing lag (19 frames).
Up aerial			9%/6% (sweetspot/sourspot)	Does a backflip and swings with a wide arc above him before righting himself again, in a similar manner to Marth's up aerial. The weakest of Roy's aerials in terms of dealing damage, and is mainly used for juggling and/or combos.
Down aerial			15%/10% (sweetspot/sourspot)	Spreads his legs in the air before slicing downwards with a two-handed slash, similarly to Ike's down aerial. Meteor smashes powerfully when hit with the sword's hilt, while it launches opponents upward if not hit with the hilt. Considerable ending and landing lag. KOs on stage sweetspotted around 130%.
Grab			—	Bends forward and reaches out with his left hand.
Pummel			2%	Knee strikes the opponent. A fairly fast pummel.
Forward throw			5%	Throws the opponent forward with a spin. Has low ending lag, allowing it to combo into a neutral attack or forward tilt at low percents and a dash attack at medium percents. Also combos very well with his neutral aerial, which when hit can lead into even more combos.
Back throw			5%	Flings the opponent over his shoulder and behind him. If the opponent does not expect it, this can lead into down aerial at low percents or a back aerial for a KO at high percents near the ledge, though the latter requires good timing.
Up throw			6%	Tosses the opponent upwards with his right hand. His strongest throw, it can KO at very high percents, starting at 180%.
Down throw			5%	Slams the opponent onto the floor in front of him with his left hand. Good combo potential, as it sends the opponent above Roy. This is made better by the fact that it has low base knockback and low knockback scaling. However, its hitstun is lackluster making it unreliable on floaties and other characters above low percents. True combos into Blazer on most characters until medium percents.
Forward roll Back roll Spot dodge Air dodge		—	—
Techs		—	—
Floor attack (front) Floor getups (front)			7%	Slashes to the left, then the right as he gets up.
Floor attack (back) Floor getups (back)			7%	Gets into a kneeling position and then does a spinning cut as he gets up.
Floor attack (trip) Floor getups (trip)			5%	Hops briskly to his feet then does a stab to the left and a slash to the right.
Edge attack Edge getups			8%	Does a handstand and flips himself onto the stage, then slashes horizontally to the right.
Neutral special	Default	Flare Blade	6%-45%, (50% fully charged sweetspot), (36% fully charged sourspot)	A move similar to Ike's Eruption, Roy charges the Sword of Seals with flames for a maximum of five seconds before slamming its blade onto the ground to unleash an explosion. The explosion's size grows as it charges. With high base knockback at almost all charge levels and very high knockback scaling, a barely charged Flare Blade is one of Roy's most viable KOing options. Fully charged, it is capable of one-hit KOing every single character in the game, except Bowser and Shulk with Monado Shield equipped, from the center of Final Destination. A fully charged explosion deals 10% recoil damage to Roy. Despite its power, the move has surprisingly little endlag, with Roy being able to act out of it almost immediately. The attack also has a sourspot at the edges that deals much less damage and knockback and is not a OHKO, instead KOing at 41%. Probably the best option to use on an opponent with a broken shield in the entire game because of its OHKO potential when fully charged, especially considering Roy's good shield pressuring capability.
	Custom 1	N/A
	Custom 2	N/A
Side special	Default	Double-Edge Dance	3%-5% (first hit), 2%-3% (second forward hit), 2%-3% (second upward hit), 1%-3% (second downward hit), 2%-3% (third forward hit), 3% (third upward hit), 4% (third downward hit), 6% (final forward hit), 5% (final upward hit), 2% (final downward hits 1-4), 6% (final downward hit 5)	A combination of sword slashes in a fashion identical to Marth's and Lucina's Dancing Blade. The type of slashes he performs can be influenced by directional inputs, the attacks being no different in animation from Marth and Lucina's, though the attack chains slightly better and the knockback is slightly stronger on Roy's end. The very last hit deals Flame damage.
	Custom 1	N/A
	Custom 2	N/A
Up special	Default	Blazer	5%/4% (hit 1, sweetspotted/sourspotted), 1% (hits 2-4), 8%/7% (hit 5, sweetspotted/sourspotted)	Performs a slow rising slash infused with fire that deals multiple hits, which can also be angled diagonally. Grants super armor at the beginning of the move. If all of its hits connect, it KOs at around 110% on the ground. A viable out of shield or KOing option because of the super armor frames at the beginning of the move.
	Custom 1	N/A
	Custom 2	N/A
Down special	Default	Counter	1.35x damage multiplier (min 8%)	A counter similar to other counterattacks, with Roy performing a parry and then retaliating against any attacks that hit him during its counter frames with a fiery slash. Damage and knockback dealt depends on the move that is countered, with a damage multiplier of 1.35x. Roy may additionally say "いまだ!" ("Now!") or "そこ!" ("There!") if successful.
	Custom 1	N/A
	Custom 2	N/A
Final Smash		Critical Hit	1% (1-10 hits), 35% (ending hit)	Roy swings the Sword of Seals in a fully circular arc before slamming it downwards, generating a powerful explosive slash that engulfs the attacked area in flames. Unlike Marth and Lucina's Critical Hit, Roy's is not a one-hit KO. The circular trail can connect up to four times from the front; if the move is performed with an opponent behind Roy, it can hit up to ten times, which traps the opponent until the final slash is dealt.

On-screen appearance

Appears from a spell circle, similar to others from his franchise, albeit crouching. The Sword of Seals is stuck in the ground when he appears, and Roy pulls it out before assuming his idle stance.

Taunts

• Up taunt: Triumphantly holds the Sword of Seals above his head pointing towards the side, unlike Marth, who points it skywards.
• Side taunt: Winds back before posing, holding the Sword of Seals backhanded toward the screen while saying "僕 は 負けない!", which translates to "I won't lose!" This line was one of his victory quotes in Melee.
• Down taunt: Kneels and the Sword of Seals behind him while yelling "Hee-ya!". This taunt returns from Melee and the yell is one of his attacking lines when using moves.

Up taunt	Side taunt	Down taunt

Idle poses

• Pumps his fist.
• Swipes his hand lightly against the Sword of Seals while holding it in front of himself.

Crowd cheer

	English	Japanese
Cheer
Description	Roy's our Boy!
Pitch	Group chant

Victory poses

This victory theme is a small orchestral cover from the title theme of the first Fire Emblem game, which has since become the main theme of the series.

• Swipes his sword once over his shoulder, then swipes it down and behind him while facing left, saying "真の戦いは、これからだ。", which translates to "The true battle, is soon to begin."
• Spins the Sword of Seals one and a half times and then sheaths it, saying "苦しい戦いだった。", which translates to "It was a painful fight." Replaces his old victory animation from Melee where his sticks the Sword of Seals in the ground.
• Flourishes his sword and poses with it by his side, saying "守るべきもののために、負けられない!", which translates to "For those whom I must protect, I will not lose!".

In competitive play

Notable players

•  Gnes
•  Heero
•  NEO
•  Sethlon
•  ZeRo

Trophies

Roy

Roy, the main character of Fire Emblem: The Binding Blade, returns for the first time since Melee! In The Binding Blade, Roy led the troops of Pherae into battle in his ailing father’s stead, and now he brings his speed and talent for short-range combat into this game. His sword, the Sword of Seals, is uniquely powerful at the base of the blade.

: Fire Emblem: The Binding Blade

Roy (Alt)

His sword, the Sword of Seals, is uniquely powerful at the base of the blade. Flare Blade creates an explosion in front of Roy that can be charged by holding down the button. Take care, though, because at the highest levels of charge, Roy himself will catch fire and take damage! His side special, Double-Edge Dance, changes for each strike after the first depending on whether you hold up or down while attacking.

Flare Blade creates an explosion in front of Roy that can be charged by holding down the button. Take care, though, because at the highest levels of charge, Roy himself will catch fire and take damage! His side special, Double-Edge Dance, changes for each strike after the first depending on whether you hold up or down while attacking.

: Fire Emblem: The Binding Blade

Critical Hit

For Roy’s Final Smash, he traps enemies in a circular swing of the blade, brings it up behind him, and then, in a blast of fire, brings the blade down for a powerful finisher! The downward attack is powerful on its own but doesn’t have much range, so make sure you’re close enough to hit your enemies with the full combo and really seal their fate!

For Roy’s Final Smash, he traps enemies in a circular swing of the blade, brings it up behind him, and then, in a blast of fire, brings the blade down for a powerful finisher! The downward attack is powerful on its own but doesn’t have much range, so make sure you’re close enough to hit your enemies with the full combo and really seal their fate!

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  Classic (3DS)

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  Alt. (3DS)

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  Classic (Wii U)

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  Alt. (Wii U)

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  Critical Hit (Roy)

Alternate costumes

Reveal trailer

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Gallery

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  Splash art.

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  Roy's amiibo.

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  Taunting in front of a wall of fire on Norfair.

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  Roy attacking Captain Falcon.

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  Roy attacking Lucario.

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  Critical Hit.

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  Roy and Roy.

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  Roy with Zero Suit Samus and Wii Fit Trainer.

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  Flare Blade.

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  All of Roy's alternate color schemes.

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  Performing Double-Edge Dance.

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  Roy posing with both Female and Male Robin.

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  Roy & Marth performing a side smash. Note that the sweetspot is highlighted by the trail left by their swords. Marth's Falchion's strongest part is at its tip while Roy's Sword of Seal's strongest part is at its hilt.

Trivia

• Certain aspects of Roy's gameplay design are carried over from Melee.
  • Roy's pose in his official artwork is nearly identical to his Melee official artwork.
  • All of Roy's sourspotted attacks make a punch/kick sound effect instead of a slashing sound effect.
  • Roy uses different voice clips when using battering items.
  • When Roy is stunned, his corresponding voice clip loops constantly instead of playing only once.
  • Roy uses more than one voice clip for his smash attacks.
  • Roy has only one voice clip for being KO'd.
• Roy's up smash, Flame Sword, shares the same name as Mega Man's forward aerial.
• Roy, Marth, and Cloud are the only characters to speak Japanese in every regional release of Super Smash Bros. 4.
• Roy is the only DLC character that does not posses a form of projectile.