Character artwork

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The official character artwork for Mario in Super Smash Bros. Ultimate.

Character artwork refers to the official images of the playable Smash fighters used in-game and in promotional materials such as websites, strategy guides, and posters. In the original Super Smash Bros., the artwork for the characters are 2D illustrations not seen in the game itself. From Melee onward, however, theyare rendered from 3D models at a far higher quality than how they appear in gameplay. In Melee, some pieces of character artwork were used in-game, but not all. Starting in Brawl, cropped versions of the character artwork are used in the character selection screen. In Brawl and Smash 4, each character's main render also serves as the basis of their Classic Mode trophy. The character renders in Smash 4 and Ultimate are additionally the basis of the Super Smash Bros. series of amiibo.

Super Smash Bros.

The character selection screen of Super Smash Bros. uses unique renders based on artwork from the characters' original series.

Left: Link's official artwork from Ocarina of Time.
Right: Link's official artwork from SSB, which is significantly stylized.

The character artwork of Super Smash Bros. is very different from all the games following it, not only because its use of 2D artwork but also due to its unique artstyle even compared to other games at the time. Rather than detailed art that accurately reflects the characters' in-game designs, the official artwork is heavily stylized, uses thick lines and flat shading. Link and Samus are prominent examples of this artstyle deviating from previous artwork.

Strangely, despite all characters having artwork created for this game, the in-game character select screen instead uses renders based on preexisting artwork from earlier games. The artwork on the select screen includes 2D and 3D artwork, though all are edited to appear as if they are 3D.

The origin of each character's selection screen artwork is as follows:

• Mario: A render from Super Mario 64.
• Donkey Kong: A render from Donkey Kong Country.
• Link: Artwork from The Legend of Zelda: Ocarina of Time.
• Samus: Artwork from Super Metroid.
• Yoshi: Artwork from Super Mario World 2: Yoshi's Island.
• Kirby: Modified artwork of Sword Kirby from Kirby Super Star.
• Fox: Artwork from Star Fox 64.
• Pikachu: Artwork from the Japanese Pokémon Blue.
• Luigi: Appears to be original artwork based on Super Mario 64, although there is still speculation about its true origin
• Ness: Artwork from EarthBound.
• Captain Falcon: Artwork from F-Zero X.
• Jigglypuff: Artwork from the Japanese Pokémon Red and Green.

Super Smash Bros. Melee

Like the previous game, Melee uses unique artwork on its character selection screen.

Left: Luigi's Melee render uses his N64 design, which is similar to Mario.
Right: Luigi's Ultimate render uses his current, more distinct design.

Super Smash Bros. Melee was the first game in the series that used 3D renders with a semi-realistic artstyle, which is retained in other installments moving forward. However, compared to games after Melee, the roster looks noticeably different: due to being released slightly after the launch of the Nintendo GameCube, many of the character designs are based on artwork from the Nintendo 64 era with additional realistic textures and detail. This causes the game to look very unique to many other games even outside of the Smash Bros. series. One example is Luigi, who uses his design from N64 games such as Mario Kart 64 and Mario Party, which lacks his lanky anatomy that was codified in Luigi's Mansion.

Similar to Smash 64, its character select screen has unique artwork compared to the official, but unlike Smash 64, these pieces of artwork retain Melee's artstyle, and not every character has a unique render. Donkey Kong, Jigglypuff, and Bowser are examples of characters who have unique artwork on the select screen.

Super Smash Bros. Brawl

Brawl is the first game to use the same renders on the character selection screen as the promotional artwork.

Left: Toon Link's Brawl render is realistically textured and detailed.
Right: Toon Link's Ultimate render is less detailed and closer to his original design.

Super Smash Bros. Brawl retains similar artistic direction as Melee, but had many assets built completely from the ground up to take advantage of the more powerful hardware. Many characters returning from Melee were also redesigned to match more current installments, such as The Legend of Zelda cast, who were updated to their designs in Twilight Princess. The overall aesthetic includes highly detailed textures and dark shading that give the game a more realistic look in comparison to the rest of the series. While this is a natural transition for characters such as Snake, it is a drastic difference for others such as Ness and Toon Link, who gained significant detail in the transition.

Brawl was also the first game in the series to use the same renders on the character selection screen as the official promotional artwork, which was retained in future installments.

Super Smash Bros. 4

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Left: Ryu's SSB4 render is more vibrant and simplified than Street Fighter IV.
Right: Ryu's Ultimate render is less saturated and more detailed.

The foundation of Super Smash Bros. 4's artstyle is similar to Brawl, but relies less on dark shading and realistic colors, instead utilizing brighter primary colors with a vibrant, cartoon-like aesthetic for its visual effects. The 3DS version has exaggerated lighting and thick outlines around the characters (which can be adjusted in the game's settings) to allow for better visibility on the smaller screen, while the Wii U version has no outlines and more subdued lighting in comparison. Some characters also have updated appearances in comparison with Brawl, such as Samus, Marth, and Little Mac, who use designs from games released in the interim. Other characters, such as The Legend of Zelda characters, use the same designs as Brawl in spite of newer designs being introduced.

Super Smash Bros. Ultimate

Real life photographs of character models were used as lighting reference for Ultimate, as shown in this image of Mario.

Mario's model was modified to be less colorful and more realistic than his standard appearance...

...while Fox's model was modified from Star Fox Zero to be more colorful and less realistic, in order to achieve a standardized look.

Ultimate's art style was designed as a hybrid of color and detail, to give the characters a unified appearance without having to drastically change each character's design. All characters were made to fit this middle ground: characters like Mario were given a slightly less colorful but more detailed appearances, while characters like Fox were given less detailed appearances to appear more visually similar to Mario and other characters.

Masahiro Sakurai and his team wanted the game's style and graphics have more natural lighting, so they used real-life photographs of character figurines as reference.

Panoramic banner

The panoramic banner displaying all of the fighters on the roster. This artwork is commonly used in Ultimate's promotional material.

Another noticeable example of Ultimate's unique art style comes from its panoramic poster, which features every playable character in the roster. The banner has a unique hand-painted look that reflects the game's balance between color and detail. It was conceptualized by Sakurai and illustrated by Yusuke Nakano, who designed characters for The Legend of Zelda series and Super Metroid. Nakano decided to spread the roster evenly across the entire canvas, rather than focusing on the center, to keep the whole image visually interesting and balanced. He also consulted with the original creators on each character's pose within the artwork.