Roy (SSB4)

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For information on the playable Koopaling, please see Bowser Jr. (SSB4).

Roy in Super Smash Bros. 4
Universe	Fire Emblem
Other playable appearance	in Melee
Availability	Downloadable
Final Smash	Critical Hit

“	Roy Seals the Deal!	”
—Introduction tagline

Roy (ロイ, Roy) is a playable character in Super Smash Bros. 4 as the third downloadable character. First leaked through datamining of the 1.0.6 update, Roy would ultimately be revealed and was released alongside Lucas and Ryu on June 14th, 2015. Roy is also the third of three cut veterans to return for Super Smash Bros. 4 returning from Melee, after Dr. Mario and Mewtwo.

Roy is once again voiced by Jun Fukuyama, who reprises his role from Melee, and has provided him with new voice clips, speaking Japanese regardless of the game's region (as with Marth).

Changes from Melee

Roy has been tremendously buffed in his transition to SSB4 from Melee, in which he was considered a low-tier character despite his impressive power. The hitbox placements on many of Roy's attacks (e.g. down air) have been improved and his power and speed have overall been increased. Furthermore, he benefits from the rage mechanic, allowing him to dish out even more knockback. Overall, Roy is now considerably more viable than his Melee incarnation.

Roy additionally received some minor and drastic changes that further distinguish his moveset and animations from Marth's, converting Roy to a near semi-clone status.

Aesthetics

• Roy's design blends elements from his original appearance in Fire Emblem: The Binding Blade and his DLC appearance in Fire Emblem: Awakening.
• Roy now has completely unique idle stances as opposed to having a variant of Marth's.
• Roy now has an on-screen appearance.
• Roy has a new walking animation.
• In a similar vein to those of Marth and Lucina, Roy's sword trails now indicate the sweetspot with a white arc - in Roy's case, it's near the hilt of the blade.
• Seeming as an aesthetic change to further distance him as just another Marth clone, most of Roy's sword swings look aesthetically "heavier", with him swinging the Sword of Seals backhandedly or with two hands (with his new animations causing them to seem like it takes some effort, even in one of his new victory poses). As a result, Roy's Sword of Seals feels like a heavier Broadsword than Marth/Lucina's "lighter" Falchion, which they swing with less effort.

Attributes

• Many of Roy's attacks, such as his forward smash and his up special move, Blazer, now are performed while holding his sword with a reverse grip, and have slightly different swings compared to Marth as a result.
• Roy dashes much faster (1.61 → 1.91). He now dashes faster than Marth.
• Roy walks slightly slower (1.2 → 1.15).
• Roy has drastically increased air speed (being the 3rd fastest in the game.)
• The loss of wavedashing has hindered Roy's approach and mobility options.
• Roy now stands at Marth's height which gives him slightly more range but makes his hurtbox bigger.
• The majority of Roy's attacks have less reach because of reduced hitbox sizes and altered placements.
• Roy is significantly heavier (85 → 95), now being heavier than Marth rather than lighter. It additionally makes him become a middleweight from a lightweight.

Ground attacks

• Neutral attack is now an upward leaning lift-slice in reverse grip.
• Neutral attack deals more damage (4/5/6 → 4/7/7%),has less ending lag, and sends opponents at 60 degrees which gives it more combo potential.
• Neutral attack has 1 frame more start up.
• Forward tilt has significantly more knockback (60 base/70 growth → 30 base/100 growth). It also has 1 frame less start up.
• Forward tilt's hitbox duration is shortened by 2 frames.
• Forward tilt has Roy lean forward for an inward slash via reverse grip.
• Up tilt deals more damage (6/8/9/10 → 7/12%), making it much stronger despite it's lower growth (116 → 103).
• Up tilt now has Roy swinging his sword in a more overhead grip while bringing it to his side instead of behind him. The animation is more vertical than horizontal.
• Up tilt's late hitbox duration is shortened by 2 frames.
• Down tilt has 1 frame less start-up. It also now sends opponents at 30 degrees, making it much better for edgeguarding. It also allows Roy to set up a tech-chase.
• Down tilt no longer sends opponents at a vertical trajectory, almost completely removing all its combo potential. It's sweetspot also deals 11% instead of 12%.
• Dash attack deals 1% more damage (12 → 13%) and has much stronger knockback (70 base/55 growth → 65 base/82 growth).
• Dash attack starts up slightly slower than before due to the new animation.
• Dash attack animation involves Roy slashing inward into a braking stop with a reverse grip slash.
• Forward smash has slightly less ending lag and slightly more growth (65 → 70).
• Forward smash's animation changed to Roy bringing his sword behind himself, then slashing forward in a reaping two-handed slash from a turn. This animation is shared with the Mii Swordfighter.
• Forward smash has 2 frame slower start-up and the hitbox duration lasts 1 frame shorter.
• Up smash hits link together better. It also has 3 frames less start-up and slightly less ending lag.
• Up smash last hit has slightly less base knockback (73 → 70).
• The first hit of up smash now has no knockback. This removes the attack's ability to spike, but allows the move to link together and deal damage more reliably.
• Up smash also has an explosion occur at the end.
• Down smash's front hit sends foes at a more horizontal trajectory.
• Down smash deals less damage (28% fully charged → 21% fully charged). Both hits of down smash lasts 1 frame shorter.
• Down smash's back hit deals 2% more damage.
• The properties of Roy's down smash have been reversed, with the back hit being stronger.

Aerial attacks

• Neutral aerial hits on frame 6 instead of frame 7. The second swing hits on frame 15 instead of frame 17. It also has less ending and landing lag.
• Forward aerial hits on frame 10 instead of frame 5 and 7.
• Forward aerial has less ending and landing lag.
• Forward aerial's animation has Roy's legs positioned differently, and swings his blade while leaning forward with his right side more.
• Back aerial has less ending and landing lag.
• Up aerial has slightly less ending and landing lag, and it also has more knockback, making it a better juggling tool. The hitbox lasts 2 frames longer.
• Neutral, forward and back aerials all deal more damage and are significantly stronger, now being able to KO reliably.
• Roy has a new down aerial, working similar to Ike's where he does a take-down two-handed slash below himself.
• The new down aerial is significantly stronger on both the sweetspot and sourspot, dealing 15% at the base and 10% at the tip (instead of 9% at the base and 6% at the tip). Its sourspot is also much stronger and can KO grounded opponents starting at 160%. It also has extended reach underneath Roy and has a much larger hitbox that is also easier to land. The move also has much less ending and landing lag. With proper timing, it can also be used out of a forward air to Ken Combo.
• The new down aerial has less diagonal reach and takes a bit longer to start up.

Throws/Other Attacks

• Down throw now sends opponents directly above Roy, making it much better for followups.
• Down throw damage: 6% → 5%
• Floor attack (front & back) damage: 6% → 7%

Special moves

• Flare Blade can now be charged up to a maximum of 45% without causing recoil damage (up from 41% in Melee).
• Flare Blade has a different sound when charging; when fully charged, the sound vanishes before the move's explosion. All stages of the attack now unleash an actual yet-minor explosion, with most of the higher stages unleashing the original large explosions from Melee.
• Flare Blade has slightly more start up lag and takes slightly more time to fully charge.
• The first hit of Double-Edge Dance has 2 frames more start-up.
• Each individual hit of Double-Edge Dance (except first hit and fourth hit down input) has less start-up.
• The variants of Double-Edge Dance's third hit can no longer KO, but it can easily combos into the 4th hit.
• Double-Edge Dance's final up input now has a brand new animation, where Roy does an upward launching slash in a recovering turn, as opposed to a forward hopping more pronounced version of his forward final input. Marth's Dancing Blade final upward input has undergone the same change since Brawl.
• Blazer now has invincibility frames on startup if used from the ground.
• Blazer's final hit is much stronger, now being able to KO at high percentages, and has lasting hitboxes near the peak of the move unlike in Melee.
• Blazer's first hit has much lower set knockback. This allows every hit to connect even better than in Melee at the loss of its ability to OHKO the lightest characters.
• Blazer gains slightly less distance.
• Blazer now carries much more horizontal momentum near its peak, and can be tilted left or right before startup to cover a notable amount of horizontal range, increasing Roy's horizontal recovery.
• Counter has 7 frames more counter window. It is also much stronger and can now KO off countered smash attacks starting under 40%. The move's horizontal range is also longer.
• Counter's damage multiplier is reduced (1.5x → 1.35x).
• Counter has a slightly tweaked animation: Roy holds his hand out for the entirely of the move, along with pointing his sword downward instead of upward. His counter slash animation is instead an outward swatting one-handed slash.
• Roy now has a Final Smash, Critical Hit. Unlike Marth's and Lucina's, Roy's is a stationary focused attack rather than a directional straight line.

Moveset

		Name	Damage	Description
Neutral attack			7.5% (sweetspot), ~4.65% (sourspot)	Roy slashes his sword upwards in reverse-grip, ending at shoulder height. Easily combos into itself and his forward tilt at low percentages.
Forward tilt			12.5% (sweetspot), 9% (near), 8% (far)	Roy steps into a downward diagonal slash to the left in reverse-grip, stopping the end motion with his left-hand. Very strong for a tilt.
Up tilt			12% (sweetspot), 7% (sourspot)	Roy does a horizontal slash to the left in reverse-grip that is aimed skyward in an arc-like motion.
Down tilt			11% (sweetspot), 6.5% (sourspot)	Crouches and jabs his sword briskly at the enemy's feet. Weaker than Roy's other tilts, but comes out quickly.
Dash attack			13% (sweetspot), 9% (sourspot)	Roy leaps forward briefly before pivotting to the left as he does a low-angle horizontal slash to the left.
Forward smash			20% (close), 17% (mid), 12% (far)	Roy leans forward then pivots to the left, gripping his sword with both hand before spinning around into a two-handed downward diagonal slash.
Up smash		Flame Sword	1% (first hit), 2% (2nd-4th hits), 17% (final hit)	Roy thrusts his sword skyward as it ignites in flames, forming an explosion on the final hit.
Down smash			15% (front, sweetspot), 17% (back, sweetspot) 10% (front, sourspot), 11% (back, sourspot)	Briskly sweeps his sword in front of him to the right before pivoting to the left into another sweep to behind him.
Neutral aerial			6%/4% (first hit, sweetspot/sourspot), 8%/5% (second hit, sweetspot/sourspot)	Roy quickly swipes to the left with the back of the blade, then a quick turn-through swipe to the right. The second hit capable of attacking behind him.
Forward aerial			11%/7% (sweetspot/sourspot)	Roy pivots in the air into a downward vertical slash in the air that curves to the left slightly.
Back aerial			12%/9% (sweetspot/sourspot)	Roy turns with a hard pivot to the left into an upward vertical slash to the left. It is identical to Marth's back aerial but the animation is slightly stronger.
Up aerial			9%/6% (sweetspot/sourspot)	Roy swings horizontally to the right skyward, that is followed by a slow aerial flip, in a similar manner to Marth's up aerial. The weakest of Roy's aerials in terms of dishing out damage.
Down aerial			15%/10% (sweetspot/soutspot)	Roy spreads his legs in the air before coming down with a overhead two-handed downward vertical slash. Meteor smashes when connected properly. Closely resembles Ike's down aerial.
Grab			—	Roy bends forward and reaches out with his left hand.
Pummel			2%	Roy performs a knee strike to the grabbed opponent's abdominal region.
Forward throw			5%	Roy does a lifting side slam on the opponent, causing them to rebound against the ground away from him..
Back throw			5%	Roy tosses the opponent away from him as he pulls the over his left leg, tripping them.
Up throw			6%	Roy exchanges grip of the opponent to his right hand and tosses them straight up into the air.
Down throw			5%	Roy lifts his left leg past the foe's feet, followed by a one-handed lifting side slam with his left arm.
Forward roll Back roll Spot dodge Air dodge		—	—
Techs		—	—
Floor attack (front) Floor getups (front)			7%	Laying supine, Roy turns to his left as he gets up and stabs to behind him and then slash to the right in front of him.
Floor attack (back) Floor getups (back)			7%	Laying prone, Roy barrel rolls on the ground into a kneeling position, then does a clockwise 360 degree spin cut along the ground.
Floor attack (trip) Floor getups (trip)			5%	Roy hops briskly to his feet then turns around and stabs behind him and then turns back around into a horizontal swing to the right.
Edge attack Edge getups			8%	Roy handstand-flips himself onto the stage, then slashes horizontally to the right.
Neutral special	Default	Flare Blade	6%-45%, (50% when fully charged, sweetspot), (36% when fully charged, sourspot)	Roy pushes his right leg forward and positions his sword upward over his left shoulder, gripping the hilt with both hands and begins to charge his blade with flames, similar to Ike's Eruption before stepping into slamming it overhead onto the ground and creating an explosion. One-Hit KO's Mario from the center of Final Destination when charged to the max. Deals 10% recoil damage to Roy when unleashing a fully charged strike.
	Custom 1	N/A
	Custom 2	N/A
Side special	Default	Double-Edge Dance	?%	Roy unleashes a combo of sword slashes in a fashion identical to Marth and Lucina's Dancing Blade. The type of slashes he performs can be influenced by directional inputs, the attacks being little to no difference in animation from Marth and Lucina's, though the knockback is slightly stronger on Roy's end.
	Custom 1	N/A
	Custom 2	N/A
Up special	Default	Blazer	?%	Roy lowers himself as he twirls his sword to reverse grip then leaps skyward while thrusting his arm upwards with his sword ablaze, then juts his arm upwards to the left as he turns counter-clockwise. The ascension can also be angled laterally or vertically.
	Custom 1	N/A
	Custom 2	N/A
Down special	Default	Counter	?%	Roy twirls his sword into reverse grip and holds it over his his left forearm, which is bent forward at an angle. He will block incoming attacks by immediately raising his sword up in reverse grip, twirls it into normal grip and steps into a wide downward vertical flame slash to the right. Damage dealt is dependent on the attack countered.
	Custom 1	N/A
	Custom 2	N/A
Final Smash		Critical Hit	1% (1-10 hits), 35% (ending hit)	Roy's scabbard appears on the back of his waist and Roy holds his sword over his left shoulder with both hands, pointed diagonally at the opponent. Roy trails his sword on the air clockwise from his left in a full-moon like motion (trapping anyone close with light fire damage) before releasing his right-hand and quickly pulling his sword back, igniting the blade. Roy then grasps the sword with both hands before stepping forward with his left foot into a wide downward diagonal slash to the right, releasing his left hand upon connection, generating a powerful, explosive blazing slash, as well as engulfing the attacked area in flames. Roy then twirls his sword in his right hand 180-degrees clockwise into reverse grip before sheathing his sword. Unlike Marth and Lucina's Critical Hit, Roy's isn't a One-Hit KO. The circular trail can connect up to four times from the front. But if the move is performed with an enemy behind Roy, it can hit up to ten times, dragging the opponent to in front of Roy in time for the final slash.

Roy's special moves

Neutral special	Flare Blade
Side special	Double-Edge Dance
Up special	Blazer
Down special	Counter
Final Smash	—	Critical Hit

Taunts

• Roy's up taunt has him triumphantly hold his sword above his head; unlike Marth's taunt, he holds it sideways.
• Roy's side taunt has him posing while holding the Sword of Seals backhanded toward the screen, saying "僕 は 負けない!", which translates to "I won't lose!" This line was one of his victory quotes in Melee.
• Roy's down taunt is his returning taunt from Melee, where he kneels and holds his sword behind him while yelling. The yell is one of his attacking lines when using moves.

On-Screen Appearance

Appears from a spell circle, similar to others from his franchise, albeit crouching. The Sword of Seals is stuck in the ground when he appears, and Roy pulls it out before assuming his idle stance.

Idle Poses

• Pumps his fist.
• Swipes his hand lightly against the Sword of Seals while holding it in front of himself.

Victory Fanfare

This victory theme is a small orchestral cover from the title theme of the first Fire Emblem game, which has since become the main theme of the series. It is shared with Marth, Ike, Robin, and Lucina.

Victory Poses

• RoyPose1WiiU.png
• RoyPose2WiiU.png
• RoyPose3WiiU.png

• Swipes his sword once over his shoulder, then swipes it down and behind him while facing left, saying "真の戦いは、これからだ。 (Shin no tatakai wa, korekara da)", which translates to "The true fight is about to start."
• Spins the Sword of Seals one and a half times and then sheaths it, saying"苦しい戦いだった。 (Kurushī tatakai datta)", which translates to "It was a difficult fight."
• Flourishes his sword and poses with it by his side, saying saying "守るべきもののために、負けられない! (Mamoru beki mono no tame ni, makerarenai!)", which translates to "For those whom I must protect, I will not lose!".

Alternate costumes

Reveal Trailer

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Trophy

Roy

Roy, the main character of Fire Emblem: The Binding Blade, returns for the first time since Melee! In The Binding Blade, Roy led the troops of Pherae into battle in his ailing father’s stead, and now he brings his speed and talent for short-range combat into this game. His sword, the Sword of Seals, is uniquely powerful at the base of the blade.

Unknown

: Fire Emblem: The Binding Blade

Roy (Alt)

Flare Blade creates an explosion in front of Roy that can be charged by holding down the button. Take care, though, because at the highest levels of charge, Roy himself will catch fire and take damage! His side special, Double-Edge Dance, changes for each strike after the first depending on whether you hold up or down while attacking.

Flare Blade creates an explosion in front of Roy that can be charged by holding down the button. Take care, though, because at the highest levels of charge, Roy himself will catch fire and take damage! His side special, Double-Edge Dance, changes for each strike after the first depending on whether you hold up or down while attacking.

: Fire Emblem: The Binding Blade

Critical Hit

For Roy’s Final Smash, he traps enemies in a circular swing of the blade, brings it up behind him, and then, in a blast of fire, brings the blade down for a powerful finisher! The downward attack is powerful on its own but doesn’t have much range, so make sure you’re close enough to hit your enemies with the full combo and really seal their fate!

Unknown

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  Classic (Wii U)

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  Alt. (Wii U)

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  Critical Hit (Roy)

gallery

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  Splash art.

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  Taunting in front of a wall of fire.

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  Critical Hit.

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  Roy and Roy.

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  Flare Blade.

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  All of Roy's alternate color schemes.

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  Performing Double-Edge Dance.

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  Roy & Marth performing a side smash. Note that the sweetspot is highlighted by the trail left by their swords. Marth's Falchion's strongest part is at its tip while Roy's Sword of Seal's strongest part is at its tip.

Trivia

• As with Mewtwo, Roy's official artwork is posed almost identically to his Melee official artwork.
• Roy's introduction makes a reference to the Sword of Seals, aka the Binding Blade.
• The segment of Roy's trailer where he attacks Roy Koopa is a reference to how they are the only characters to share the same name.
  • This is referenced again in one of Roy's pictures on his profile page on the official website.
• In the 3DS version of Smash 4, Roy (along with Mr. Game & Watch) is one of the only characters not to use a taunt during his pose in Classic Mode once he chooses a path. Instead, he uses one of his idle poses, his fist pump.
• All of Roy's sourspotted attacks make a punch/kick sound effect instead of a slashing sound effect. This is carried over from Melee.
• Roy is the only DLC character with a down smash attack that strikes on both sides of him.
• Roy is one of the four characters to use different voice clips when using any of his smash attacks. The other three being Wii Fit Trainer, Rosalina, and Ryu.
  • Additionally, Roy and Ryu are the only two characters to use different sound clips when using battering items.
• When Roy uses his Final Smash, Critical Hit, his sword sheath (as seen in his official artwork) will appear out of nowhere on his back and disappears abruptly once the Final Smash ends, where Roy sheaths his sword while posing before quickly drawing it out again.
• Like Dr. Mario, Roy has a unique stance from the character he is a clone of but has the same stance as them when holding an item, in Roy's case he goes to Marth's stance when holding a light item.
• Roy is the only returning Melee veteran who cannot wall jump.